" On retrouve avec joie Maxime de Toledo, que l’on avait adoré en Basil dans Le Portrait de Dorian Gray, mis en scène par Thomas Le Douarec. Son rôle de nazi plus vrai que nature, nous donne encore des frissons dans le dos. Juste avec sa voix, son intonation gutturale totalement angoissante, il arrive à nous crisper. Mention spéciale pour son rire sardonique glaçant. Son jeu maîtrisé et sa gestuelle radicale, sans appel, feront le reste. "
TOUTELACULTURE.COM
“ Maxime de Toledo est magistral "
LE FIGARO
“Blessed with matinee-idol looks, Maxime De Toledo is superb as Lancelot. His Dudley-Do-right-style paean to himself, “C’est moi”, is wonderfully arch, and his richly intoned, seemingly effortless delivery of “If Ever I Should Leave You” is sexy and intimate, a far cry from the corny showpiece the song has often become.”
BOSTON GLOBE
“De Toledo is a revelation. His unabashed bravado and matter-of-fact egotism in “C’est Moi” are balanced with a self-effacing comic innocence, and his gently romantic rendition of “If Ever I Would Leave You” is sultry, silken, and sincere. He also aptly struggles with his anguish over loving both Guenevere and Arthur and with his guilt in choosing lust over honor.” BROADWAY WORLD.COM
" Le roi est royal, présence et voix : Maxime de Toledo domine l’ensemble "
FROGGY’S DELIGHT
" Maxime de Toledo, loin de son génial rôle de vieillard dans Forever Young, impressionne une fois de plus par sa voix ténébreuse et sa présence scénique. Il est un Oberon charismatique et solennel."
REGARDENCOULISSE.COM
" En particulier, l’imposant Maxime de Toledo séduit et fascine par la prestance exceptionnelle dont il fait preuve en tant qu’Obéron, soutenue par la surprise de ses quelques tours de magie bien placés."
THEATRE-ACTU
" Les voix sont belles - tout particulièrement celle de Maxime de Toledo dont on ne tarde pas à attendre avec impatience les répliques chantées ou simplement dites tant l'ampleur et la profondeur de sa voix nous subjuguent." THEATRAUTEURS
" Maxime de Toledo dont le jeu puissant et impérial parvient à se rabattre sur l’inoubliable Christian Hecq dans la dernière mise en scène de Muriel Mayette à la Comédie Française en 2014."
TOUTELACULTURE.COM
“ Maxime de Toledo campe un époustouflant Obéron. Cet acteur franco-américain possède un impressionnant CV. Et on comprend pourquoi. Sa diction parfaite l’a mené au théâtre, au cinéma, mais également à la télévision. Charismatique et plein d’autorité, séduisant mais jamais bellâtre, il joue à merveille de ce romantisme sombre qui le caractérise.” RESMUSICA
“Some of the strongest vocal material was present in Maxime de Toledo, a stentorian bass-baritone, as Sorin.” THE NEW YORK TIMES
“De Toledo's handsome features and sexy smile make it clear why Mitch earns the nickname "Hollywood," during basic training. The actor has great chemistry with Steggert, and his rich baritone sounds like a caress.”
THEATER MANIA
“In a show with extremely accomplished singing, Maxime De Toledo playing Sir Lancelot has my favorite voice. It’s a baritone that purrs instead of booms.”
IN NEWSWEEKLY
“The standout of the stage performance, Maxime de Toledo, as Sorin, again makes a flavorful contribution.”
OPERA NEWS
“As Lancelot, Maxime De Toledo has a more convincing French accent than Canadian Robert Goulet and much more charisma.” AISLE SAY BOSTON
“Special mention, however, must be given to the excellent performance by Maxime De Toledo. "If Ever I Would Leave You" is a superb song performed with a superb voice.”
DORCHESTER NEWS
“Maxime de Toledo’s lush baritone and classic looks embody the romance of the period as he delivers the essence of Mitch's struggle.”
NYTHEATER.COM
“Maxime de Toledo delivers an excellently controlled, continentally sophisticated performance.” “…In his opening number “C’est Moi”, done with wry humor and a mellow baritone voice, he is just hilarious …”
NORTH SHORE SUNDAY
“Maxime de Toledo, as Mitch, has a movie star’s swagger.”
THE BROOKLYN PAPER
“Lancelot, tall, heroic and engaging, is handled impressively by Maxime de Toledo. He sings beautifully, moves with strength and grace, and is totally convincing.”
THE ISLAND POCKET
“De Toledo sings well and is sure as hell handsome enough to merit his nickname of “Hollywood”…”
BACKSTAGE
“Maxime de Toledo as the hunky Lancelot, aptly walks the line between cartoonish and dreamy, crafting an interesting character.” THE SALEM NEWS
“Maxime de Toledo brings just the right balance of swoonworthy charm and aloofness to his portrayal.”
SHOW SHOWDOWN
“Steggert and de Toledo’s passionate embraces are jaw-dropping in both their intensity and their realism.”
NEXT MAGAZINE
“Maxime de Toledo uses his robust bass-baritone to powerful effect in "The Dear Little Girl Who Is Good." BACKSTAGE
“…strong, handsome heartthrob, Mitch--charismatic, rich-voiced baritone Maxime de Toledo-nicknamed Hollywood…" ONSTAGE.COM